In a solo you can use all these licks as a base, combining them and using additional notes. Alternating Between The Major And Minor Pentatonic Scale. If you're a blues/rock player this lesson is a must have. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. The possibilities for creativity are endless. For instance, when soloing over a blues in A, you could use the minor pentatonic to play over the D7 chord and play the major pentatonic scale over the other chords. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. Also work the other way around; start with the minor pentatonic scale and try to shift to the major pentatonic scale fluently. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. Many intermediate guitarists get stuck playing only the minor pentatonic scale over blues chords. Highly recommended to help grow your lick library. This is normal, because the notes are positioned differently in the minor pentatonic scale then in the major pentatonic scale. If you order the modern blues soloing course Stout Blues, you will get this course included! One of the options that we can use to add more variation in our blues guitar soloing is to alternate between the minor pentatonic scale and the parallel major pentatonic scale. The 3 notes in the beginning are the same for all the licks, and I’m carefully explaining how you should pick and dampen these notes, so that they ring clear and sound just right. The change from the minor pentatonic to the major pentatonic scale (and vice versa) will often sound to ‘abrupt’. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. One advanced and one intermediate. So. It’s a fact that some of the notes in this scale will ‘clash’ quite a bit with the dominant seventh chord it’s being played over. Whether you’re listening to Robert Johnson, … Every lick is available in all 12 keys. Blues Licks in A Major. One advanced and one intermediate. The licks are laid out in different Blues styles ie Slow Blues , Jump Blues etc. I have already a lot of your courses and I love to see them others you've got on You Tube. This is also the reason why experienced guitarists don’t only rely on this minor pentatonic scale when their soloing in a blues context. The first one (advanced), is a fast blues-rock track at 145 BPM. There are so many other scales that can be used in blues guitar soloing that it would be a pitty to only make use of the same scale all of the time. Yet this approach is only one of the many possible ways we can use and if overused it may appear to the listener that you play the same solo in every song. For the gear, I used a Suhr Pro C1 guitar, a D’Angelico EX-SS, a Suhr Badger 18 and the 12 St. Special from KOAmps.com, Thank you very much for your lessons!Keep rocking and stay safe, Robert, again it's been fascinating learning from you. Track your progress by marking which guitar licks are your favouries. You can change the timing and the key to customize these licks to virtually anything. Diese Licks sind für Anfänger und Fortgeschrittene geeignet. Blues in G-Dur. They are also great starting points for creating your own licks. Robben Ford style ideas using altered, chromatic and lydian b7 scales are looked at and many exciting licks are drawn from these scales. Below you can check out one of the 6 licks. Enjoy! There are many more possibilities that you can learn to expand your options when soloing in the blues: You can learn all of these approaches with advanced blues licks to practice in the free Blues Guitar Solo Guide On How To Play More Advanced Guitar Solos. So these scales can be used interchangeably if we play over a ‘Blues in A’ (the term ‘Blues in A’ is used when we are playing a Major Blues in the key of A, when we would play a Minor Blues we speak of a ‘Minor Blues in A’). They will sound "killer" at Friday's night rehearsal with the rest of the band. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. The other (intermediate), is a slow blues at 65 BPM. Using the minor pentatonic scale to improvise over blues chords is the approach that almost every beginner blues guitar student learns. Decent sound samples of each lick with a BT to play along as well. You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. You will notice that even though this sometimes will result in a nice sound, sometimes it will be challenging to create a fluent change between both scales. Using more advanced guitar scales such as the dominant pentatonic scale and the mixolydian mode to give your soloing a jazzy feel (don’t worry, it’s not as hard as it sounds). The first one (advanced), is a fast blues … Having the option to use more advanced scales leads to greater melodic freedom and is a great thing to have in general. Why The Minor Pentatonic Scale Is Not The Best Option To Use. The first one (advanced), is a fast blues-rock track at 145 BPM. Still most experienced guitarists will choose to either: It’s important that you understand that it’s perfectly legitimate to use the minor pentatonic scale to play over dominant blues chords. Simply start playing a lick in the major pentatonic scale and try to make the transition to the minor pentatonic scale as smooth as possible. 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